
Ideally suited for late night chilling, David Sylvian's album Dead Bees On A Cake is really worth a listen.
Not my usual cup of tea - and maybe not yours either - but I found it compelling.

Most interpreters have understood the reference to my Father’s house as a reference to heaven, and the dwelling places (μονή) as the permanent residences of believers there. This seems consistent with the vocabulary and the context, where in v. 3 Jesus speaks of coming again to take the disciples to himself. However, the phrase in my Father’s house was used previously in the Fourth Gospel in 2:16 to refer to the temple in Jerusalem. The author in 2:19-22 then reinterpreted the temple as Jesus’ body, which was to be destroyed in death and then rebuilt in resurrection after three days. Even more suggestive is the statement by Jesus in 8:35, “Now the slave does not remain (μένω) in the household forever, but the son remains (μένω) forever.” If in the imagery of the Fourth Gospel the phrase in my Father’s house is ultimately a reference to Jesus’ body, the relationship of μονή to μένω suggests the permanent relationship of the believer to Jesus and the Father as an adopted son who remains in the household forever. In this case the “dwelling place” is “in” Jesus himself, where he is, whether in heaven or on earth. The statement in v. 3, “I will come again and receive you to myself,” then refers not just to the parousia, but also to Jesus’ postresurrection return to the disciples in his glorified state, when by virtue of his death on their behalf they may enter into union with him and with the Father as adopted sons. Needless to say, this bears numerous similarities to Pauline theology, especially the concepts of adoption as sons and being “in Christ” which are prominent in passages like Eph 1. It is also important to note, however, the emphasis in the Fourth Gospel itself on the present reality of eternal life (John 5:24, 7:38-39, etc.) and the possibility of worshiping the Father “in the Spirit and in truth” (John 4:21-24) in the present age. There is a sense in which it is possible to say that the future reality is present now.
It was a bad innovation when the revivalistic structure overtook the church’s primary liturgical form in a way that charismatic preachers replaced the centrality of Eucharist. We’ve suffered from that.
...get it quite clear in your own mind that this state of falling in love is not, in itself, necessarily favourable either to us or to the other side. It is simply an occasion which we and the Enemy are both trying to exploit. Like most of the other things which humans are excited about, such as health and sickness, age and youth, or war and peace, it is, from the point of view of the spiritual life, mainly raw material.
few things can be more subversive to the point of the biblical text than our efforts at illustrating it.
Illustrations tell stories that exemplify the point of the text. Images embody the point.
He will comfort us in the labour and painful toil of our hands caused by the ground the LORD has cursed. (Genesis 5:29)
As a minor poet, the pastor doesn't simply tell people to be satisfied with their limited lives but instead helps them to find the joy and sacred purposes to these limits. Some of the things that are missing from the garden are good and certainly desired. When a couple discovers that they cannot have children, when a spouse is buried, or when a terminal disease is discovered, it isn't helpful for the pastor to point to all of the other blessings in a person's life. What is helpful is for the pastor to walk into the sorrow in search of the sufficient grace of God. Anyone who finds more of the steadfast love of God from which we are never separated has found something far greater than that which is missing from the garden. And it is for that grace that we are most grateful.
It is always a heading, introducing the subject matter that is to come. From the starting point of the title, the narrative traces the genealogy or the records or the particulars involved.
The subject matter of each תּוֹלְדֹת (tolÿdot, “this is the account of”) section of the book traces a decline or a deterioration through to the next beginning point, and each is thereby a microcosm of the book which begins with divine blessing in the garden, and ends with a coffin in Egypt.
The biblical depiction of life begins with the words 'In the beginning God...' And it ends with a magnificent future that is also created by God. Just about everything in between also testifies to the eternal truth that life is made, redeemed, and certainly blessed by God. It's a gift to be received with humility and gratitude, not an achievement. Most of the biblical narrative for our lives can be seen as the unfolding drama of what happens when we do and do not accept our created identity as males and females made in the image of God, for communion with this Creator.
