"Gospel story" is a verbal way of accounting for reality that, like the incarnation that is its subject, is simultaneously divine and human. It reveals, that is, it shows us something we could never come up with on our own by observation, experiment or guess; and at the same time it engages, brings us into the action as recipients and participants, but without dumping the responsibility on us for making it turn out right.
This has enormous implications for the way we live, for the form itself protects us against two of the major ways in which we go off the rails: becoming frivolous spectators who clamour for new and exotic entertainment out of heaven; or becoming anxious moralists who put our shoulders to the wheel and take on the burdens of the world. The very form of the text shapes responses in us that make it hard to become a mere spectator or a mere moralist. This is not a text that we master, it is one that we are mastered by.
Christ Plays In Ten Thousand Places, p.182
